GOING FORWARD PHOTONIQUE WILL BE ADVERTISMENT FREE
GOING FORWARD PHOTONIQUE WILL BE ADVERTISMENT FREE
Originally Photographed 8 July 2026
WELL WORTH A VISIT
* In The Year 2008 * In The Year 2011 * In The Year 2017 * Henrietta Back In 2010
Navigating Narnia: The Art, Sculptures, and Street Culture of C.S. Lewis Square
Located in the heart of East Belfast at the intersection of the Connswater and Comber Greenways, C.S. Lewis Square is a remarkable civic space where literature, public sculpture, and urban street art converge.
Opened in late 2016 to mark the 53rd anniversary of the author's death, the square celebrates Belfast-born Clive Staples Lewis (1898–1963). While best known for his towering children's classic The Chronicles of Narnia, Lewis was a formidable intellectual, Oxford don, and theologian whose deep-seated memories of the Ulster landscape—specifically the undulating Mourne Mountains—profoundly shaped the topography of his fictional worlds.
The Sculptural Trail: Narnia in Bronze
The defining feature of the square is an extraordinary trail of seven monumental bronze sculptures. These works embody key characters from The Lion, the Witch and the Wardrobe, casting a narrative spell across the landscaped plaza.
Aslan the Lion: Standing as the majestic centrepiece of the square, this immense, finely detailed bronze lion symbolises nobility, sacrifice, and ultimate authority. His presence anchors the entire open-air gallery.
The White Witch: Captured in mid-stride with a sharp, glacial coldness, her regal stance and icy crown evoke the perpetual winter she inflicted upon Narnia.
Mr. Tumnus: The gentle faun stands near a replica gas lamp, complete with his umbrella and scarf, capturing the poignant moment he first encounters a "daughter of Eve."
The Beaver Family: Mr. and Mrs. Beaver are rendered with a wonderful, tactile warmth, depicting them mid-conversation as they guide the Pevensie children through the snow.
Maugrim: The captain of the White Witch's secret police is portrayed with predatory, low-slung tension, his wolfish gaze injecting a sense of narrative danger into the public space.
The Stone Table: An unsettling, split block that echoes the deeper theological themes of magic, betrayal, and redemption underlying Lewis's text.
The Robin: Perched quietly on a branch, this small but vital guide represents hope and the subtle stirring of a Narnian spring.
The Master Sculptors Behind the Bronze
Maurice Harron
Ross Wilson
Alan Burke
Street Art and the Urban Fabric
Beyond the formal bronze monuments, C.S. Lewis Square is bordered by an evolving canvas of vibrant street art. The surrounding gable walls and industrial facades feature murals that bridge the gap between classic literature and modern urban culture.
These spray-painted works feature a mix of stylized Narnian imagery, local historical portraits, and contemporary geometric abstract designs. This interaction between traditional bronze casting and dynamic street art transforms the square from a static memorial into a living, breathing community hub where the industrial heritage of East Belfast meets international fantasy.
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