Public Art

HIDDEN IN PLAIN SITE – PALM TREE SEAT AND STOOLS

Making my blog more accessible is important to me. For readers who find the detailed text descriptions challenging, I've begun adding audio descriptions in a conversational format. I hope this offers a richer and more inclusive experience

MOST DUBLINERS DO NOT NOTICE THIS AS THEY PASS BY

The sculpture is officially known as the “Palm Tree seat and stools” or commonly just the “Statue Palm.”

Location: It is situated in the heart of the lively Temple Bar cultural quarter, at 17A, Temple Bar, Dublin, D02 RT29.

Artist and Date: It was created by Irish sculptor Vincent Browne and installed in 1992.

Description: It is a striking bronze sculpture that is often referred to as a “seat” because it incorporates stools and benches at its base, inviting passersby to pause and rest.

Significance: The palm tree design is often noted as a symbol of resilience and hope, adding a distinctive and unique artistic touch to the urban landscape of Dublin’s most popular entertainment district.

The sculpture is a must-see for visitors and makes for a great photo opportunity as you explore the surrounding area’s cobbled streets, traditional pubs, and vibrant atmosphere.

LIGHT AND TURN BY MARK RYAN AT SCULPTURE IN CONTEXT 2025

PHOTOGRAPHED USING A VARIETY OF CAMERAS

LIGHT AND TURN BY MARK RYAN AT SCULPTURE IN CONTEXT 2025 [SEPTEMBER 2025]

Dublin Sculptor Mark Ryan: A Career of Material Mastery and Public Presence

Dublin sculptor Mark Ryan is a prominent artist known for his versatile command of materials and his significant contributions to public art. Working adeptly with wood, clay, steel, and bronze, Ryan creates sculptures that range from intimate forms to monumental public installations.

His work is held in national and international collections and features in major commissions for institutions like the Office of Public Works, the Department of Foreign Affairs, and University College Dublin. A notable recent piece, the ‘Heart Memorial’ at Tallaght University Hospital, highlights his capacity to create art that resonates deeply with the community.

A key feature of Ryan’s career is his long-standing participation in Sculpture in Context, the celebrated annual exhibition at Dublin’s National Botanic Gardens. A regular exhibitor, Ryan consistently uses this unique platform to engage a wide audience. As the exhibition nears its 40th anniversary in 2025, his continued presence underscores his lasting impact on the Irish art scene. His work has been recognized with accolades such as the Braun Prize at Eigse and the Halward Gallery Sculpture Prize.

Mark Ryan, sculptor, Dublin, Irish art, Sculpture in Context, National Botanic Gardens, public art, bronze, steel, wood, contemporary sculpture, Irish sculptor, public commissions, art exhibitions, Dublin art scene, William Murphy, Infomatique, September 2025,

WIND SAIL SCULPTURE BY EAMON O’DOHERTY

IN MUCH BETTER CONDITION THAN WHEN I FIRST PHOTOGRAPHED IT

Eamon O’Doherty’s Wind Sail Sculpture on Clontarf Promenade: A Landmark Amidst Change

The Clontarf promenade is a cherished local amenity, offering sweeping views across Dublin Bay and serving as a crucial flood defence for the area. Historically, Clontarf was highly susceptible to flooding, particularly during southeasterly gales, but the promenade’s construction has been instrumental in protecting local homes and businesses.

As you approach the promenade, you’ll be looking for the distinctive “Wind Sail Sculpture” by Derry-born artist Eamon O’Doherty. However, be aware that navigating the immediate area as a pedestrian is currently quite challenging. Extensive flood defence construction work is ongoing, meaning you’ll encounter a maze of diversions, temporary fencing, and an array of huge sandbags. This work, while vital for the long-term protection of Clontarf, does make for a rather difficult and obstructed walk in the vicinity of the sculpture. We recommend exercising caution and patience as you make your way through this section.

The Artist and His Legacy

Eamon O’Doherty (1939-2011) was a prolific artist, celebrated for his large-scale public sculptures. His artistic footprint extends globally with over 40 works worldwide, and more than 30 enriching various locations across Ireland. Dublin is particularly fortunate to host six of O’Doherty’s significant pieces. These include the striking “Golden Tree” at Central Bank Plaza, the moving James Connolly Memorial at Butt Bridge, and the affectionately known “Floozy in the Jacuzzi” fountain, which, after originally gracing O’Connell Street, now resides in Croppies Memorial Park.

The Wind Sail Sculpture: A Kinetic Comeback

The “Wind Sail Sculpture”, unveiled in 1988, was ingeniously designed as a kinetic artwork, intended to respond dynamically to the wind. Unfortunately, by 2009, years of exposure to the elements had left the sculpture immobile and corroded. Thanks to the dedicated efforts of local artist Anne McGill [I visited her local studio a few years ago], who spearheaded a vital restoration project, the “Wind Sail Sculpture” has been meticulously brought back to its original splendour. It now stands proudly once more, not only as a testament to O’Doherty’s innovative artistic vision but also to the Clontarf community’s commitment to preserving its public art for future generations.

CACTUS PROVISOIRE BY ALEXANDER CALDER

FELLOWS SQUARE TRINITY COLLEGE DUBLIN

very dark maroon, in my images, it appears to be a deep, almost black, metallic hue, contrasting with the more commonly observed vibrant red or blue Calder ‘stabiles’ often seen in public spaces. This particular piece, as described by Paul Koralek, stands out not only due to its origin and placement but also its impressive scale, designed to complement the grandeur of Fellows’ Square.

Unlike the “red metal yokes” commonly associate with Irish towns and villages, “Cactus Provisoire” possesses a unique significance. It was specifically selected by Paul Koralek, architect of notable Trinity College buildings, for its “outstanding quality and substantial size” following a generous initiative by George Dawson. The process of its acquisition, visiting Calder’s widow and choosing from a field of large sculptures, underscores its artistic merit and intentional placement as a major artwork within a significant academic institution.

The sculpture itself is a ‘stabile,’ a term coined by Jean Arp to describe Calder’s stationary, abstract sculptures, as opposed to his famous ‘mobiles.’ “Cactus Provisoire” features multiple, interlocking, and somewhat organic-looking forms crafted from metal sheets, riveted together. These forms extend outwards, giving the impression of a dynamic, albeit static, object. The interplay of curved and pointed elements creates a sense of tension and balance, characteristic of Calder’s work. The dark, almost industrial, finish allows its form and the interplay of light and shadow on its surfaces to be the primary focus, rather than a vibrant colour.

VERONICA GUERIN STATUE PHOTOGRAPHED USING A LEICA Q3

DUBLIN CASTLE 15 MAY 2025

The Veronica Guerin Statue, a bronze bust located in the Memorial Garden at Dublin Castle, serves as a poignant tribute to the courageous Irish investigative journalist who was murdered in 1996 for her fearless reporting on organised crime. Sculpted by John Coll, the bust depicts Guerin with a determined expression, symbolising her unwavering dedication to uncovering the truth.

While the statue is a significant landmark for many visitors to Dublin Castle, its particular popularity with Spanish-speaking tourists is noteworthy, although perhaps not immediately obvious. Several factors might contribute to this:

Firstly, the universal themes of courage, justice, and the fight against corruption resonate across cultures. Veronica Guerin’s story is one of a David-and-Goliath struggle against powerful criminal elements, a narrative that can be deeply compelling regardless of one’s nationality or language. Spanish-speaking countries have, unfortunately, often had their own experiences with organised crime and the bravery of individuals who stand against it. Guerin’s sacrifice may therefore strike a particular chord with those who understand such struggles.

Secondly, the international recognition of Veronica Guerin’s story through films and documentaries may play a role. While the 2003 film “Veronica Guerin” starring Cate Blanchett was an Irish production, it gained international distribution and likely reached Spanish-speaking audiences, raising awareness of her life and tragic death. This cinematic portrayal could inspire individuals to seek out the memorial when visiting Dublin.

Thirdly, Dublin Castle itself is a significant historical site attracting a large number of international tourists, including those from Spain. As the statue is located within the castle grounds, it is naturally encountered by many visitors exploring this landmark. The powerful story associated with the memorial may then leave a lasting impression.

Finally, it is possible that through word-of-mouth or travel guides aimed at Spanish speakers, the statue has been highlighted as a place of significant remembrance and a testament to journalistic integrity.

In conclusion, while there isn’t specific data pinpointing the exact reasons for the Veronica Guerin Statue’s popularity with Spanish-speaking tourists, it is likely a combination of the universal appeal of her story, international exposure through media, the statue’s location within a major tourist attraction, and potential recommendations within Spanish-language travel resources. Her courageous stand against criminal elements and ultimate sacrifice resonate with people across different cultures, making her memorial a meaningful place to visit.