FELLOWS SQUARE TRINITY COLLEGE DUBLIN

very dark maroon, in my images, it appears to be a deep, almost black, metallic hue, contrasting with the more commonly observed vibrant red or blue Calder ‘stabiles’ often seen in public spaces. This particular piece, as described by Paul Koralek, stands out not only due to its origin and placement but also its impressive scale, designed to complement the grandeur of Fellows’ Square.

Unlike the “red metal yokes” commonly associate with Irish towns and villages, “Cactus Provisoire” possesses a unique significance. It was specifically selected by Paul Koralek, architect of notable Trinity College buildings, for its “outstanding quality and substantial size” following a generous initiative by George Dawson. The process of its acquisition, visiting Calder’s widow and choosing from a field of large sculptures, underscores its artistic merit and intentional placement as a major artwork within a significant academic institution.

The sculpture itself is a ‘stabile,’ a term coined by Jean Arp to describe Calder’s stationary, abstract sculptures, as opposed to his famous ‘mobiles.’ “Cactus Provisoire” features multiple, interlocking, and somewhat organic-looking forms crafted from metal sheets, riveted together. These forms extend outwards, giving the impression of a dynamic, albeit static, object. The interplay of curved and pointed elements creates a sense of tension and balance, characteristic of Calder’s work. The dark, almost industrial, finish allows its form and the interplay of light and shadow on its surfaces to be the primary focus, rather than a vibrant colour.

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