MOST DUBLINERS DO NOT NOTICE THIS AS THEY PASS BY

The sculpture is officially known as the “Palm Tree seat and stools” or commonly just the “Statue Palm.”

Location: It is situated in the heart of the lively Temple Bar cultural quarter, at 17A, Temple Bar, Dublin, D02 RT29.

Artist and Date: It was created by Irish sculptor Vincent Browne and installed in 1992.

Description: It is a striking bronze sculpture that is often referred to as a “seat” because it incorporates stools and benches at its base, inviting passersby to pause and rest.

Significance: The palm tree design is often noted as a symbol of resilience and hope, adding a distinctive and unique artistic touch to the urban landscape of Dublin’s most popular entertainment district.

The sculpture is a must-see for visitors and makes for a great photo opportunity as you explore the surrounding area’s cobbled streets, traditional pubs, and vibrant atmosphere.

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PHOTOGRAPHED FRIDAY 7 FEBRUARY 2025

“Who Made the World” is a sculpture by Cliodhna Cussen, located near the Herbert Park Hotel in Ballsbridge, Dublin. While her name sometimes appears with variant spellings (Cliona, Cliodhna, or Cliodna), the correct and most commonly used form is Cliodhna.

Cliodhna Cussen was born and educated in County Limerick, Ireland. She pursued her higher education in Dublin and Florence, Italy. She currently lives and works, dividing her time between Dublin and County Kerry. Cussen is a full-time sculptor, primarily working with bronze and stone. In addition to her sculptural work, she is involved with graphic arts at the Graphic Studio Dublin and also illustrates and publishes Irish children’s stories. She has exhibited extensively and has received numerous awards for her work, including the Listowel Gold Medal for sculpture and the sculpture prize at the Oireachtas.

“Who Made the World” is a bronze sculpture depicting four male figures lying on their backs, their legs and feet extended upwards to support a sphere representing the world. The figures are arranged in a formation reminiscent of football (soccer) players, their posture suggesting both effort and support. This prominent piece of public art invites multiple interpretations, reflecting themes related to creation, burden-bearing, and the interconnectedness of humanity and the Earth.

One interpretation sees the sculpture as a representation of human effort to support and sustain the world. However, another, equally valid reading, focuses on the figures’ maleness and the positioning of the world as a plaything or object of dominion. This interpretation suggests the sculpture can be seen as a commentary on male dominance and control, with the world held aloft by the figures’ feet, symbolising patriarchal influence and the potential for manipulation. It’s a striking example of Cussen’s work in public spaces, demonstrating how art can spark dialogue and encourage us to consider different viewpoints on complex themes.

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